Celtic Cinema 354Y
Bibliography

 
 

 

 

 

 

 


Barton, Ruth, Irish National Cinema (London: New York: Routledge, 2004) . . . . . . . . . . .

 

Ruth Barton, Acting Irish In Hollywood, (Dublin: Irish Academic Press, 2006 . . . . . . . . .

 

Brown, John, "Land beyond Brigadoon," Sight & Sound Winter 1983-84. Vol. 53 iss. 1 pp.40-46

 

Cronin, Michael, ‘Chapter 2’, Ireland into Film: The Barrytown Trilogy (Cork: Cork University Press, 2000)

 

MacKillop, James, ed., Contemporary Irish Cinema: from The Quiet Man to Dancing at Lughnasa (Syracuse: Syracuse University Press, 1999)

 

McCabe, Colin, Ireland into Film: The Butcher Boy (Cork: Cork University Press, 2007)


McFarlane, Brian, The Cinema of Britain and Ireland (London: Wallflower Press, 2005)

McIlroy, Brian, Shooting to kill: filmmaking and the 'troubles' in Northern Ireland (Trowbridge: Flicks Books, 1998)

 

McLoone, Martin, “Bloody Sunday”, Cineaste, Vol. 27 Issue 4. 2002 . . . . . . . . . . . . . . . . .

 

McLoone, Martin, Irish film: the Emergence of a Contemporary Cinema (London: British Film Institute, 2000)

 

McArthur, Colin, ed. Scotch Reels (London: British Film Institute, 1982) . . . . . . . . . . . . . .


McArthur, Colin, Brigadoon, Braveheart and the Scots: Distortions of Scotland in Hollywood Cinema (London: I.B. Tauris, 2003)

 

Meaney, Gerardine, Ireland into Film: Nora (Cork: Cork University Press, 2004) . . . . . . .


Nelmes, Jill,  ed., Introduction to Film Studies (London and New York: Routledge, 1996)

O’Brien, Harvey, Keeping it Real: Irish Film and Television (London: Wallflower Press, 2004)


Richards, Jeffrey, Films and British National Identity: from Dickens to Dad’s army, (Manchester: Manchester University Press, 1997)

Petrie, Duncan, Screening Scotland (London: BFI Pub., 2000) . . . . . . . . . . . . . . . . . . . . .

 

Pettitt, Lance, Screening Ireland: film and television representation (New York: St. Martin's Press, 2000)

Rockett, Kevin, Luke Gibbons, and John Hill, Cinema and Ireland (Syracuse: Syracuse University Press, 1988)

 

Rockett, Kevin, Irish Film Censorship : A Cultural Journey from Silent Cinema to Internet Pornography (Dublin: Four Courts Press, 2004)

 

Smith, Murray, Trainspotting (London: BFI, 2002) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

 

Street, Sarah, “Trainspotting,” in Forbes, Jill and Sarah Street European Cinema: an introduction (New York: Palgrave, 2000)

 

White, Jerry, “Films of Bob Quinn: Towards an Irish Third Cinema,” Cineaction 37 (June 1995), pp. 3-10.

 

Woodward, Kate, “Small Nation—Big Screen: Film in Wales during the 1990s” in Gifford, James and Gabrielle Zezulka-Mailloux, Culture and the State: Nationalisms, (CRC Humanities Studio, 2003), pp. 189-197.

 

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